I employ stereography as a way to investigate the seemingly transparent process of binocular visual perception as a continual act of imagination. I capture and process stereoscopic photographs of various people, places, and events, and also create overtly manipulated composite stereo images. I enjoy the paradoxes of a medium that, in contrast to 2D photography, allows for deeper revelation of reality, yet also involves more elaborate artifice.
I am intrigued in the meanings created or revealed by the operations of chance and randomness within ordered systems. I see aleatoric techniques not as a method for removing the artist from the work, but as a way of expanding fields of influence, intentionality, and interaction, and blurring boundaries between self, others, and environment.
I am also the creator of the Maxx Klaxon project: a satirical audiovisual interrogation of authoritarianism. I write, produce, and perform retrofuturist multimedia electropop spectacles, in the persona of an aspiring dictator.
I use imagery and rhetoric that borrows from revolutionary and totalitarian art and propaganda to hold up a mirror to our situation as citizens of a hegemonic superpower — and the ways in which power is gained and wielded via reactionary, paranoid narratives.